My painting arises from an inner tension, from a space in which the image is never fully
resolved but remains suspended between appearance and dissolution. The painterly gesture
becomes an attempt to stay in contact with something fragile, something that barely resists
before dissolving—a way of moving through emotional and mental states in search of presence.
The results are traces, residues, fields in which the image is consumed as it comes into being.
Color does not describe, but acts; it is living matter that accumulates and stratifies. Each
painterly intervention is simultaneously an act of construction and destruction.
My work operates in a liminal zone between control and surrender. What interests me is not
the representation of a subject, but the possibility that the work can retain an emotional
experience, an urgency.
Painting is, for me, a site of silent resistance—a moment in which identity fragments and is
questioned. Each work is an attempt to make visible something that cannot be said, but only
traversed, giving form to what remains invisible yet continues to press beneath the surface